Season 5 of Game of Thrones just came to an end with “Mother’s Mercy,” an inconsistent episode with some truly great sequences in some areas but some frustrating moments in others. Unlike last year, when major climaxes were spread over the last three episodes of the season, every storyline reaches its climax in this hour. Obviously there is always more story to tell in the future, and finales have often serve not only to end season-long threads but tease future ones. However, “Mother’s Mercy” leaves many of the conflicts that had been built up to throughout this last season without their resolutions. Even some of the best sequences of this episode leave dangling threads to be explored in the future. The direction of many of the stories we’ve spent roughly ten hours following this year is uncertain – even for one of the seemingly more final fates of the episode! Despite a handful of truly wonderful and well-executed scenes, I found much of this episode frustrating and ultimately unsatisfying. Continue reading
Review of “Dance of Dragons”
The powerful but incredibly disturbing buildup to Shireen’s death weaved throughout Season 5’s ninth episode, and provides the most weight to this episode, good or bad. Because of the inconsistent material in two of the season’s weaker storylines, and the exciting but logistically problematic climax at Mereen, “Dance of Dragons” was the most mixed episode for me. I was thrilled, I was perplexed, and (concerning the material with Stannis) I was both viscerally angry and very impressed. “The Dance of Dragons” was imperfect, with one particularly well-done sequence that raises the quality of the episode, while also complicating my personal feelings towards it. Continue reading
Here’s my ranking of the episodes in Game of Thrones: Season 5 (so far, of course). Feel free to comment with thoughts and/or criticisms! Would love to see what others think. Links to my full reviews of each episode are under each description. Enjoy!
10. Kill the Boy
Really strong material for Jon Snow, who must “kill the boy” and tries to maneuver around the Night’s Watch-wildling animosity and form a lasting peace between the two camps. Tyrion and Jorah’s exciting and just frickin’ beautiful trip through Valyria was a solid end to the episode.
However, I can’t get behind the important decisions Daenerys makes with such little buildup (burning the possibly innocent Maester and marrying Hizdahr). And while Winterfell had some strong moments, focusing on such a despicable character like Ramsay Bolton for so long weighed down the episode for me. We missed out on so many characters in this episode, and the material with the few characters we did get didn’t always hit it out of the park. Continue reading
“Hardhome” had the responsibility to deliver on two huge developments that the audience had been waiting for since its earliest episodes. One was the first real interaction between Daenerys and Tyrion, and the other (of course) was seeing just how much of a threat the White Walkers are. And boy, did the episode deliver. The episode provided strong transitional moments for its characters, and shined brightest in a one-on-one between Daenerys and Tyrion that was somehow better than my ridiculous expectations. And while I tend to prefer the human conflicts in the series more than the fantastical ones, the last third of the episode at Hardhome provided strong character moments, thrilling action, and made the White Walker threat that had been looming since the first episode so much more real. Continue reading
When Game of Thrones visits almost all of its storylines, it can sometimes feel a little cluttered. Sure, we see everyone, but they aren’t given enough time for their character moments or their plot to really move forward. The seventh episode of this season, “The Gift,” was a major exception to that rule. Even as we visited every storyline, the characters were still given enough time to shine, and the plot moved forward in major ways, especially in King’s Landing.
We got a very brief glimpse of Jon Snow, on his way to a dangerous mission Beyond the Wall. His exit, though, gave us enough time for Sam to really breathe in his own storyline. His staying with Maester Aemon as he died was incredibly sweet, and also served to provide a powerful and poignant sendoff for a great, minor character who still managed to have a lot of presence for every second he spent on the show. Continue reading
Okay, I am going to get to that scene. In fact, it’ll be the main focus of this review. But other things happened in this episode outside of Winterfell, and I think it’s worth noting for evaluating the episode.
Let’s start out with the highlights. I’ve enjoyed the King’s Landing storyline in Season 5 so far, but I think it was at its best in this episode. Olenna Tyrell’s presence was much appreciated, especially in her scene with Cersei (a one-on-one battle of intrigue that ranks up there with some of the best in the series). The inquest of Loras was tense and sickening (in a good way), raising the stakes dramatically by the end of the episode when Margaery is arrested by the High Sparrow.
I also felt this was the best episode for the Tyrion storyline, but quite a margin. The conversations with Jorah about Lord Commander Mormont and Daenerys were the kind of dialogue-rich scenes I had missed in previous episodes. I love Tyrion and he has never been a bore, but really all we’ve been doing is visiting him briefly while he has repetive conversations with Varys, or almot nothing to talk about with Jorah. I actually enjoyed the character interactions here, and Jorah’s face when he finds out his father is dead was pretty emotional for me. Great acting my Iain Glen in that scene. Continue reading
“Kill the Boy” is the most focused episode of Season 5 so far, featuring only four of the major storylines of the show. Oftentimes, focusing on a smaller handful of characters allows the show to take its time and really develop some satisfying material for each group (as opposed to making visits too brief to really leave a strong impression). I’m not sure this episode did a great job taking advantage of that laser sharp focus, though. Some of the plot developments felt rushed, the character interactions paled in comparison to previous episodes this season, and even the significant investment of time in each storyline only moves the respective plots slightly forward. Personally, (and I do feel like I’m in the minority here, so feel free to disagree in the comments), this was my least favorite episode of the season so far.
Maybe you disagree, but let’s just do some quick comparisons, starting with the character who had the most consistently strong material this episode (and season): Jon Snow. I really liked his scene with Aemon, and his advice to “kill the boy” and stand by your convictions was a great theme that felt present in other storylines (especially Daenerys’). I also loved his confrontation with Tormund, and then the Night’s Watch. This was the kind of political conundrum that I personally loved in the fifth book: Jon Snow is fighting for something that is unquestionably the correct move morally and pragmatically, but it seems almost impossible to lead others where he wants to go (even his strongest supporters). This episode put Jon in a more intriguing and perilous position, and strengthened him as a character. Continue reading